Bringing in some cool effects grabs the listeners attention and adds some kind of new dimensions to your production. In this tutorial we are talking about a tape effect – more in detail a speeding up tape effect.
Delays and reverbs are essential tools in music production, and in Cubase, you have a world of possibilities at your fingertips. In this article, we’ll explore the art of using delays and reverbs in Cubase, focusing on advanced techniques like routing delays into room reverbs and creating dedicated reverb mix buses. These techniques will help you craft a professional and captivating sound that stands out from the rest.
In the realm of music production, achieving a powerful and well-defined bassline is often a paramount goal. One technique that has gained significant traction in recent years is separating the bass track into two distinct channels: one for the low end and one for the high end. This method offers unparalleled control over your bass, allowing you to sculpt its sound with precision and impact. In this article, we’ll delve into the world of bass track separation, exploring different compression settings and the myriad advantages it offers over processing the bass on just one channel.
In the world of music production, there’s a powerful yet often underappreciated tool that can take your mixes to the next level and ensure they sound amazing on any listening device. It’s called saturation, and in this article, we’ll delve into what saturation is, how it can elevate your mixes, and the different types of saturation you can add to your production toolkit.
When your mix is nearly complete, use this checklist to ensure it meets industry standards and sounds its best:
This article is about the benefits of using analog mic preamps on your mix bus and how to set this up.
When it comes to creating professional-sounding music with MIDI drums, the goal is to make your virtual instruments sound as close to real drums as possible. While MIDI drums offer incredible flexibility and control, they can often sound artificial without the right techniques. In this article, we’ll explore how to make MIDI drums sound realistic, focusing on two critical aspects: turning MIDI drum files into audio and simulating room microphones and overheads.
Audio mixing is both an art and a science. It’s the process of combining individual audio tracks into a cohesive, balanced, and captivating sonic experience. One crucial aspect of this process is creating depth in your audio mix, which can make a world of difference in how your music, podcast, or any audio content sounds to your audience.
In this article, we’ll delve into the world of audio mixing and explore various techniques and strategies to add depth to your mixes. Whether you’re a seasoned audio engineer or just starting, these pro tips will help you create a 3D sound experience that will captivate your listeners.
Many music producers and audio engineers are familiar with the term “mixing in mono,” but few truly understand its profound impact on the quality of a mix. In this article, we will delve into the hidden secrets of mixing in mono and how it goes far beyond simply preparing your mix for mono playback devices. By focusing on managing overlapping frequencies and cleaning up your mix, you can achieve a level of clarity and separation between elements that will elevate your audio productions to the next level.
Recording electric guitars doesn’t have to be a complex and time-consuming process. In fact, there’s an easy way to capture fantastic guitar tones without the hassle of setting up amps and cabinets. By utilizing amp simulations and impulse responses, you can achieve remarkable results directly from your electric guitar to your recording interface. In this article, we’ll guide you through the steps to record and mix electric guitars using this modern approach, ensuring that you achieve the sound you’ve been envisioning.